Improbable Chair by Galeries Lafayette Art Thinking

See this page in
French[FR]

 



The Improbable Chair by Galeries Lafayette is all about bringing together artists and entrepreneurs, linking art with business in a new way.

It supports creative practices by connecting artists with entrepreneurs, businesses with cultural institutions, and artistic creation with business strategy. It encourages everyone to embrace the "improbable" to think like creators. Through a unique method called "Art Thinking," developed at ESCP, the Galeries Lafayette group and ESCP offer a way to support, encourage, and spread the act of creation.

 

Guillaume Houzé, Brand and Communications Director, Galeries Lafayette

A few words from
Guillaume Houzé
Brand and Communications Director, Galeries Lafayette group

“The Improbable Chair is all about bringing together artists and entrepreneurs, linking art with business in a new way. It supports creative practices by connecting artists with entrepreneurs, businesses with cultural institutions, and artistic creation with business strategy. It encourages everyone to embrace the ‘improbable’ to think like creators. Through a unique method called ‘Art Thinking’, developed at ESCP, the Galeries Lafayette group and ESCP offer a way to support, encourage, and spread the act of creation.”

Guillaume Houzé, Brand and Communications Director, Galeries Lafayette group Photo Credit: ©Lucasziwel

Sylvain Bureau, Scientific Director

A few words from
Sylvain Bureau
Professor at ESCP Business School
Scientific Director of the Improbable Chair

“Our initial belief was simple: to make creation accessible to as many people as possible. To achieve this, we developed a method called Art Thinking, which characterises how artists, entrepreneurs, and scientists go through similar steps in the creative process, such as gift-giving, deviating, destroying and drifting. For 15 years, our Art-Thinking seminars have trained thousands of students, entrepreneurs, managers, and researchers across a dozen countries and twenty universities and schools. Partnering with Galeries Lafayette group, a company with a strong entrepreneurial DNA, our chair combines theory and practice to amplify this approach and promote creators and creation in the broadest sense.”

Professor Sylvain Bureau, Scientific Director of the Improbable Chair

Objectives

The Chair has two major complementary goals:

  • Support scientific research to better understand creative practices
  • Teach the Art Thinking method and spread the Improbable pedagogy worldwide

Art Thinking not only helps participants unleash their innate creative potential; it also promotes collaboration, listening, leadership, negotiation, and constructive dialogue. Participants learn to question themselves, leverage failure, establish partnerships, and develop an agile approach to uncertainty.

Three areas of activity

Research and development

  • Scientific publications
  • Doctoral theses and final dissertations
  • Improbable Siesta: seminar bringing together researchers, artists, and experts in creation
Teaching

  • Spreading the Improbable method at ESCP and beyond
  • Designing initial training in Art Thinking
  • Training Art Thinking instructors
Events

  • Conferences and workshops on Art Thinking
  • Exhibitions and Improbable openings
  • Improbable residencies (art­ist/sci­en­tist/­en­tre­pre­neur triads)

“This Chair is the story of an encounter between visionary creators who understood early on how future generations of students and entrepreneurs would need artistic and creative practices to prepare for the world of tomorrow. Through this collaboration, ESCP is grateful to the Galeries Lafayette group for opening up new playgrounds for unprecedented and improbable creations!”

Pascale Pernet, Director of chairs and corporate sponsorship
ppernet@escp.eu

Focus on...

Group photo at the inauguration of the Improbable chair

Article

When Art meets Entrepreneurship

On Tuesday, 19th March 2024, Léon Laulusa, Dean and Executive President of ESCP, Jean-Stéphane Arcis, President of the ESCP Foundation, Philippe Houzé, Chairman of the Management Board of the Galeries Lafayette group, and Guillaume Houzé, Brand and Communications Director, Galeries Lafayette group, signed the first Chair dedicated to artistic and entrepreneurial creation.

Display :
13052 publications

Journal Article

1996

SCHMID, S.

Chaebol

WISU : DAS WIRTSCHAFTSSTUDIUM, 1996, vol. Vol. 25, No. 4, pp. p. 309

Chapter

1996

HEILBRUNN, B., D. P. MCLOUGHLIN

Choc around the clock: TimeOut

in Principles of Marketing, European edition., KOTLER P., ARMSTRONG G., SAUNDERS J., WONG V. (eds), Prentice Hall, pp. pp 429-434 6 p, 1996

Book

1996

CADIN, L., J.-F. AMADIEU

Compétence et organisation qualifiante

Gestion poche, Paris, France, 1996

Review of a book; an article; a research

1996

DELVAILLE, P.

Compte rendu de ORDELHEIDE D., KPMG, Transnational Accounting Transacc, MacMillan Press, 2 tomes, 1995, 3225 p

1996, COMPTABILITE CONTROLE AUDIT

Paper presented in a Conference

1996

MENDOZA, C., P.-L. BESCOS

Contrôle de gestion et besoins d'information des managers

in Actes du 17e congrès de l'Association Française de Comptabilité, 1996, Valenciennes

Conference Proceedings

1996

COLLA, E.

Coop in Italy and the low price challenge 

in 4th Conference on Education in Commercial Distribution , ESCP, 1996, Paris, France

Review of a book; an article; a research

1996

THIBIERGE, C.

Critique de BOISSELIER P, L'investissement immatériel, gestion et comptabilisation

1996, COMPTABILITE CONTROLE AUDIT

Review of a book; an article; a research

1996

LAROCHE, H.

Critique de WEICK K. E., Sensemaking in Organizations

1996, SOCIOLOGIE DU TRAVAIL

Journal Article

1996

BANCEL, F., A. CHEVALIER

Croissance externe et flexibilité financière : Danone face à ses principaux concurrents

BANQUE & MARCHES, November 1996, pp. pp 24-30 7 p

Chapter

1996

PRIME, N., A. BLUEDORN

Culture, Time and Business Negotiation: an Empirical Study in France and the US

in Time Perception in Marketing and Social Research., MORELLO G. (ed.), Fabio Orlando Editore, pp. pp 59-78 20 p, 1996